🎨 Art / Design · 95 destinations · 531 activities
Japanese contemporary art is not only in Tokyo: entire islands in the Seto Inland Sea have been turned into museums, mid-sized cities host serious foundations, and some buildings are the work itself. Many of these museums close one fixed day a week and several of the island ones need timed tickets, so the order of your stops matters more than usual here.
The garden costs 700 yen for adults and 600 yen for groups of 25 or more, and includes the Hoshokan museum; there is no garden-only ticket. The garden opens 8:45 to 17:30 with last admission at 17:15 and the museum 9:00 to 17:00 with last admission at 16:45, every day of the year. Going into the Ho-o-do to see Jocho's Amida costs 300 yen more and works in slots every 20 minutes, from 9:30 to 16:10, with a limited quota per slot and tickets sold at the garden reception, not online. Be there 5 minutes before your assigned time; the commentary is in Japanese only (a leaflet is given in other languages) and the interior can close without notice for ceremonies. The official source gives two different capacity figures, 20 and 50 people per slot: confirm when buying.
Admission 1,000 yen, open every day with no closing day: 8:30-17:00 from March to November and 9:00-16:30 from December to February. The route is one-way and takes 30-45 minutes, so the crowding is felt above all on the ramp by the Ginshadan (the Kogetsudai sand cone and the sea of silver sand). It is the fifth most visited site in Kyoto, and the interior of the Kannon-den is never open: what you see is the exterior. Opening at 8:30 and going in during the first few minutes completely changes the experience compared with arriving at midday.
The benchmark work of sukiya architecture and of the stroll garden, admired by Bruno Taut and by half a century of modern architects. Entry is only on a guided tour of about 60 minutes and must be applied for in advance. Since 2019 it charges 1,000 yen from age 18; ages 12 to 17 are free and under-12s cannot enter, infants included. Capacity is 20 people per tour and 480 a day in the reserved quota; the online application opens on the 1st of the month three months ahead and closes three days before, with a lottery if demand exceeds supply and the result sent by email within three working days. Another 70 places a day (10 per tour) are kept for same-day entry on a first-come basis from 8:40 at the villa itself, with a passport. There are tours aimed at foreign visitors at 9:20, 11:20, 13:20, 15:20 and 16:20. Closed Mondays (Tuesday if the Monday is a public holiday) and from 28 December to 4 January. Photo ID must be shown at the entrance. A caveat about access: the sources consulted do not agree on whether the online application is settled first-come or by lottery when demand exceeds supply. What is certain is that a prior application is needed and that there is a same-day allocation of places; it is worth confirming on the Imperial Household Agency website.
The system changed and today you walk straight in: no prior application and no ticket, it is free and reached on foot. There are free guided tours with no sign-up, in English and Chinese at 10:00 and 14:00 (around 50 minutes) and in Japanese at 9:30, 10:30, 13:30 and 14:30; you have to be in the visitors' room at the start time. It closes on Mondays (if the Monday is a public holiday it closes the following Tuesday) and from 28 December to 4 January, and it can close without notice for Imperial Household events, visits by dignitaries or bad weather. You see the Shishinden, the Seiryoden and the Oikeniwa garden; the buildings are viewed from outside.
The city's largest holding of Buddhist art, painting and ceramics, in Taniguchi Yoshio's Heisei Chishinkan wing. Open 9:30 to 17:00, with extended hours on Fridays, closed Mondays (if the Monday is a public holiday it opens and closes the following day) and at the end of the year. Important notice: the galleries are shut for building works from 7 September to 5 October 2026 and only the gardens can be walked; the car park is also closed from 7 September to 4 October. From 6 October to 29 November 2026 there is a special exhibition on the Genji Monogatari. The Meiji Kotokan, Katayama Tokuma's original brick building of 1895, does not open daily: in 2026 it opened to the public only from 11 to 20 July, with no advance registration. Confirm the calendar before going, because the museum alternates closures for installation.
The precinct and the brick Suirokaku aqueduct, part of the Lake Biwa Canal works, are free to enter; the Hojo garden and the climb up the Sanmon are paid separately, at around 500-600 yen each depending on the source (worth confirming at the ticket window). Hours 8:40-17:00 from March to November and 8:40-16:30 from December to February, with no closing days; there is a tea room with matcha and wagashi for about 500 yen. Important notice: the Nanzen-in subtemple is closed for works until the spring of 2027, so do not count on its pond garden. Following the aqueduct upstream leads to the Okuno-in and its small waterfall, almost always empty.
An underground museum designed by Tadao Ando, housing works by Monet, Turrell, and De Maria.
A cluster of traditional houses in Honmura village transformed into contemporary art installations, including Minamidera and Kinza.
The island's most iconic sculpture, sitting on a pier facing the sea.
An old Shinto shrine in Honmura village reimagined by Hiroshi Sugimoto, with a glass staircase descending to an underground chamber connected to the sea.
Sugimoto's gallery next to Benesse House Park, open daily with no weekly closing day and requiring a date-and-time reservation. Admission includes tea and a sweet in a room looking out on his glass 'Mondrian' tea house: it is the most contemplative stretch of time on the island and very few people take advantage of it.
Although it is part of the Art House Project, it is not covered by the five-house pass: it is paid separately and a time slot must be booked. You enter in a group into a room in total darkness and it takes several minutes for your eyes to reveal the work.
The most important kabuki theatre in the world, rebuilt in 2013 on the site of the 1889 house with an office tower behind it. The decisive thing for a traveller: single-act tickets, hitomakumi, are sold much cheaper and without booking, bought the same day at the side box office and seated on the fourth floor. English audio guide available.
Japan's most important museum, with the Honkan devoted to Japanese art by period, the Toyokan to continental Asia, and Taniguchi Yoshio's Horyu-ji Treasures gallery to seventh-century Buddhist bronzes. 1,000 yen, free under 18 and over 70.
Thirty buildings dismantled and rebuilt here, from an Edo farmhouse to Kunio Maekawa's home and a shitamachi shopping street that inspired Miyazaki. 400 yen, closed Mondays, and it is in Koganei, not central Tokyo.
Home of the mingei movement, founded by Yanagi Soetsu in 1936, with ceramics, textiles and anonymous objects in a wooden building you walk through in slippers. Yanagi's own house opposite opens only the second and third Wednesday and Saturday of each month.
The only Le Corbusier building in Japan and a World Heritage Site since 2016, with its spiral ramp, nineteenth-century gallery and restored forecourt. In 2026 it marks the tenth anniversary with tours of normally closed areas.
A first-rank private collection in a Kengo Kuma building, with a sloping tea-house garden that breaks completely with Omotesando outside. Not to be confused with Nezu Shrine in Bunkyo, which is unrelated. Ogata Korin's irises screens are shown only a few weeks in spring.
The thirteenth Maeda lord, Nariyasu, built it in 1863 so his mother could live looking onto Kenroku-en, and it is one of Japan's best-preserved late-Edo lordly residences: the Gunjo room painted with imported ultramarine, and the sliding doors with birds in the Netsuke-no-ma. 700 yen, 9:00-17:00 (last entry 16:30), closed Wednesdays.
Circular museum by SANAA with no front or back: the outer ring, the courtyards and several of the outdoor works are genuinely free, but the exhibition zone is ticketed and that is where Leandro Erlich's Swimming Pool is seen from below. Access to the underwater room needs a same-day numbered reservation taken on site or by phone, stays are capped at five minutes, and the museum closes on Mondays.
A Yoshio Taniguchi building devoted to the philosopher who explained Zen to the West, built around a mirror pond designed for sitting in silence: the museum is itself a meditation practice.
Kanazawa keeps three working chaya districts and its geiko give periodic public performances of dance and shamisen, far more accessible than a private ozashiki evening. Check the calendar, because open performances are few each year.
It opened in July 2022 with a four-storey circular reading hall, like a theatre whose stage is thirty thousand books on open shelves, designed by Mitsuru Senda. There are some five hundred chairs in a hundred different models so everyone can find their own, plus a children's wing. Free entry, 9:00-19:00 on weekdays and until 18:00 at weekends, closed Mondays.
A two-hundred-year-old ochaya still in business: by day you can visit for 750 yen (10:00-17:00, last entry 16:30, usually closed Wednesdays) and at night only if you have booked an evening. Inside there is a vermilion-lacquered staircase and a room with tatami woven from gold thread and gold-leaf paper cranes set into the floor.
A canal lined with willow trees and white Edo-period storehouses.
On one weekend in October some thirty houses open their lattice screens and display the folding screens inherited from their ancestors, while the suinkyo parade down the street: masked old men who strike passers-by with fans to bring luck. These are lived-in homes: do not go in and do not photograph interiors without permission.
An Important Cultural Property and home of the dynasty that founded the Ohara Museum. It combines mud-walled storehouses, a garden and a very good contemporary display on the idea of patronage.
Four 18th-century rice storehouses converted in 1948 into one of the temples of the mingei movement, with ceramics, textiles and basketry from all over Japan and the world.
For three weeks in March the district fills with lit Japanese parasols, projections on the facades and indigo lights. Free, 6 to 9 pm, rain or no rain.
A 3,000-tsubo house with six mud-walled storehouses and several tea pavilions, built by the salt magnate who financed Kojima. It stands right at the start of Jeans Street. Closed Mondays.
Hakone's oldest museum, from 1952, with Japanese ceramics from the Jomon period and a moss garden of a hundred and thirty varieties under maples. Closed Thursdays, and in autumn probably the loveliest garden in the area.
A genuine 1929 Pullman carriage with more than a hundred and fifty glass panels decorated by Rene Lalique at sixty-eight, parked in the museum garden. Tea costs around 2,750 yen, lasts thirty-five minutes and is booked same-day at the restaurant desk.
Japan's oldest Western-style hotel still in operation, dating from 1878, in Miyanoshita, reopened after a full restoration. The coffered-ceiling dining room and its century-old curry are a Meiji-era lesson served on a plate.
Single-subject museum of 15th- to 19th-century Venetian glass in Sengokuhara, with a garden of crystal susuki that glitters in the sun and wind. In 2026 it marks its 30th anniversary with a special exhibition running until 11 January 2027.
Nihonga painting collection in Moto-Hakone, with a panoramic room whose curved window looks out over Lake Ashi, the floating torii and Mount Fuji. The lookout is worth the admission even if the painting holds no interest.
The Pola is buried under the forest so as not to break the National Park landscape, and it has a free woodland trail of about 40 minutes with outdoor sculptures. It is the complement almost nobody takes on after seeing the collection.
Nearly 300 permanent artworks spread across the area's rural landscape, including installations by Yayoi Kusama and James Turrell, the legacy of one of the world's largest outdoor art festivals.
It holds Niigata prefecture's only National Treasure: the flame-rimmed Jomon vessel from the Sasayama site, around 5,000 years old, alongside the Jomon Venus. Three permanent rooms on Jomon pottery, echigo-chijimi weaving and life in snow country, with an entire Taisho-era farmhouse moved inside.
It is the only James Turrell work in the world where you can spend the night: a Japanese house with a sliding roof that opens a rectangle of sky, and a fiber-optic bath that makes the body appear lit from within. The light sequence changes at dawn and at dusk.
A building raised above the rice paddies of Matsudai that serves as a base for the Triennale. Around it and two kilometres up Mount Shiroyama there are some thirty outdoor works, and inside a buffet of local vegetables.
A building by Hara Hiroshi, the architect of the Sapporo Dome and Kyoto Station, converted into a museum in 2021. In the courtyard pond is 'Palimpsest: pond of sky' by Leandro Erlich, and there are works by Antony Gormley, Nawa Kohei and the Kabakovs. Closed Tuesdays and Wednesdays.
An installation in a closed primary school in Matsunoyama: a darkened gymnasium full of hay and light bulbs, and classrooms with fans and recorded heartbeats. Open only Saturdays, Sundays and public holidays. It is deliberately oppressive, with corridors that are almost unlit: not suitable for small children or for anyone claustrophobic.
An annex opened in 2017, 100 metres from the main building, with Asuka-period architecture and decoration commissioned from Ehime craftspeople: Tobe ceramics, Iyo kasuri weaving and Sakurai lacquer. Shorter queues and cheaper than the Honkan.
A triangular exposed-concrete building devoted to Shiba Ryotaro's novel about the Akiyama brothers and Masaoka Shiki, that is, about the Matsuyama that manufactured Japan's military modernisation. Closed Mondays.
Matsuyama is Japan's haiku capital: Shiki's home town and the city of 'Botchan'. Red post boxes are scattered around Dogo, the castle and the station where anyone can drop in a haiku of their own, and the best are selected and published. The city also has more than 200 monuments with verses carved into them.
A French-style villa from 1922 built by Count Hisamatsu at the foot of the castle; it is the best preserved Western architecture in Shikoku. Closed Mondays.
Almost 12,000 works inside the castle park: Monet, Cezanne, Yokoyama Taikan and local artists, for little more than 300 yen. Closed Mondays.
Iyo kasuri was one of Japan's three great kasuri textiles. At the centre in Kinuyama you dye a scarf of your own and see original looms and school uniforms from the period; confirm opening before going.
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